Saturday, 21 May 2011

New Saab PhoeniX Concept

This futuristic car model, Saab PhoeniX concept is designed with the ‘Aeromotional Design as its main language. This futuristic sedan variant was unveiled at 2011 Geneva Motor Show. This Saab PhoeniX is conceived by a design team commissioned by Jason Castriota. This car is powered by by a BMW-derived 200 hp 1.6 liter engine combined with 6-speed manual gearbox and the eXWD electric rear wheel drive system. The exterior design is characterized by sleek and stylish shape and muscular body. The front end design is presented with a new bold symbolization of of Saab’s signature 3-port grille and a front-hinged.
Official press release
Futuristic Design of Saab PhoeniX Concept
Exterior design
The shape of the PhoeniX appears to be molded by the wind, just like its iconic Ursaab forebear, the prototype for Saab’s first generation of cars. Coupé proportions are defined by clean and curvaceous bodywork that wraps around 20-inch alloy wheels in a signature Saab ‘turbine’ design.
Futuristic Design of Saab PhoeniX Concept - top roof
The frontal styling features a bold, stretched interpretation of Saab’s signature three-port grille in which the central wing form is now dominant.
Wrapped by the car’s outer skin, the chrome-less opening encompasses the full width of the nose, including a deep middle portion and extremely narrow outer sections. Saab’s traditional central grille bar is evolved into a body-colored wing form. At the tips of the wing, nestling almost invisibly, are powerful LED headlamps and indicators. This new frontal styling theme is likely to be seen on future Saab production cars.
Below the grille, the main air intake area features active shutters which close up at speed to improve aerodynamic efficiency when less engine cooling is required. Slim, body-colored ‘winglets’ carry front fog lights.
The long hood features two prominent ripples that flow from front to rear into the disguised cockpit pillars, adding muscularity and hinting at an underlying structure tightly wrapped by the bodywork. A ‘cut-out’ in the center of the hood where it meets the base of the windshield reveals part of the engine bay, and is presented in the same black glass as the upper cabin and roof area.
Re-introducing a design feature from the classic Saab 900 series, the hood is front-hinged and has a semi-clamshell closure with the car’s muscular front fenders.
The stretched look of the bodywork is emphasized by a flared side sill line which rises rearwards from air outlets at the base of the front fenders. Like the cabin glasshouse and roof, the dark, translucent sill reveals structure beneath the outer body. The design motif also echoes the exposed sills of Saab’s first open-topped Sonett sports car.
Butterfly-opening doors, remotely-controlled or touch pad operated, provide enhanced access to the low-slung cabin. There are no visible door handles or mirrors; tiny cameras are mounted on slim stalks to provide rearward vision for the pilot and minimize airflow disturbance.
The PhoeniX’s distinctive wing elements are also focused on aerodynamic efficiency. These roof-mounted profiles explore the benefits of channeling air from the side of the car across the rear deck to reduce lift forces for greater high-speed stability without increasing drag. They are a visual extension of aluminum-colored beams inside the car, which are part of the exposed DynaCage inner structure.
The glass roof and rear screen flow down as a single panel into the tail of the car. This tapering graphic echoes the teardrop shape seen in Saab’s first prototype, the iconic Ursaab, and its descendents. The sharply chopped, kamm tail, with a near vertical face, is also redolent of Saab’s first coupé, the Sonett II of 1966.
A distinctive rear lighting zone extends across the rear of the car, continuing the full-width light motif already established in the 9-5 and 9-4X series. The tail, brake and indicator lights are housed within an arch of dot-like ‘perforations’. To extend the PhoeniX’s outer and inner body design theme, the rear face of the car and its venturi underside are also black, like its upper cabin and deep side sills.
Interior Design
In true Scandinavian tradition, the PhoeniX’s 2+2 cabin adopts clean, minimalist forms. Multiple buttons and controls are largely replaced by flush mountings and touch-screen surfaces.
Like the car’s exterior, the cabin also features design elements that seek to reveal the car’s underlying structure. And, like all Saabs, the layout of the instrument displays and controls is driver-focused.
The interior’s DynaCage concept gives it the ‘stripped out’ feel of a competition car. This effect is created by the use of aluminum-colored metal elements which form a network of exposed ‘beams’ through the center, sides, front and rear of the cabin. It represents the roll-cage of a competition car, reflecting Saab’s rallying heritage with its early cars. Body-hugging shell seats and a short, high-mounted gearshift add to the purposeful effect.
The driver-focused instrument layout introduces a fresh execution of a long-established Saab tradition. It features a single pod in front of the driver – shaped to mimic the afterburner of a jet engine – where all driving data is digitally presented in tandem with a head-up display. Either side of the pod, images from the exterior door cameras are shown.
A separate unit is pulled forward of the front fascia and inclined at 45º to driver to accommodate Saab’s industry-leading IQon infotainment and communications system. For good ergonomics, the 8-inch touch-screen is as close to the driver’s finger tips as the steering wheel.
Saab IQon (see separate release for full details) is a ground-breaking car communications platform using Google’s AndroidTM operating system. Based on pioneering ‘open innovation’ with third-party service providers and applications developers, it comprises an embedded computer platform which seamlessly connects to the internet when the car’s ignition is switched on. The touch-screen provides access to audio and entertainment streaming, online navigation, on-board music storage and smartphone-like downloading of applications.
The angled positioning of the white IQon module also creates potential for additional cabin storage space between its rear face and the front bulkhead.
A raised spine runs through the cabin between the front and rear seats. Positioned on top and next to the driver (where else on a Saab?), is the stop/start button, a short gearshift lever and touch-screen climate controls.
The PhoeniX cabin also breaks new ground with the introduction of red for instrument illumination and ambient cabin lighting, even including the floor. Flexi-glass sheet under the close pile carpeting carries LED light tubes, which are exposed by perforated holes in the carpeting. Combined with red seat linings, the red-on-black interior theme is warm and engaging. It also reminds occupants that a fiery heart lies at the center of the PhoeniX.
That fire also burns in the surprisingly spacious cargo deck. The floor features the cabin’s ambient lighting effect and is extended by flat-folding rear seatbacks. The luggage compartment is accessed by a wide and deep opening tailgate, its closure lines ‘breaking though’ the tapering rear glass/body form.
The floor is fitted with a cargo track, similar in principle to that seen in the 9-5 range. Following the shape of the rear screen above, it carries a telescopic dividing rail that can be moved to multiple positions for the convenient stowage of different sized items.
Inside and out, the PhoeniX showcases new design directions that will be part of future Saab products.
Aeromotional Design
Rippling bodywork sheathes the Saab PhoeniX like the skin suit of a speed skater. It is ‘aeromotional’ design, a language inspired by Saab’s aviation roots and the passion that forged its first cars.
“Our company is being re-born and the PhoeniX is a celebration of the pioneering spirit and enthusiasm that took Saab into the automotive business,” says Jason Castriota, Saab Automobile’s Executive Design Director.
“It ushers in a new generation of Saab design. We call it ‘aeromotional’, adding passion and emotion to cool Scandinavian aesthetics.”
Picking up the design baton of Saab’s 2006 Aero-X concept, which helped shape the cars of today, the PhoeniX will play a key role in molding the Saab cars of tomorrow.
A central aeromotional design theme is the juxtaposition of complexity and simplicity, of technology and organic purity, of Scandinavian fire and ice. This is demonstrated by the way the upper cabin area is presented as a black, translucent glass ice block. The whole shape appears to burst through the tight bodywork as part of the inner structure that lies beneath.
“We’ve encapsulated the cabin in a teardrop-shaped ice block and then shrink wrapped the whole structure in a liquid-like skin,” adds Castriota.
“It’s as if we’ve blown mercury over the car in a wind tunnel. The liquid skin wraps around the nose and stretches rearwards, clinging to the car before detaching very cleanly at the rear.”
“This concept also shows there is great heart and technical substance just underneath bodywork. We wanted to communicate a connection between the outside and the inside of the car and this large, translucent ice block, housing our passengers and the mechanicals, helps us to do it by creating visual depth and interest.”
Flanking the roof are wing elements resembling the vestigial wings of an aircraft. They are shaped to collect turbulent air and direct it onto the Phoenix’s rear deck, enhancing high speed stability by reducing rear lift forces. Aerodynamic efficiency is key to the design and the PhoeniX is projected to cleave the air with a Cd value of just 0.25.
At the rear, the glass screen seamlessly sweeps down from the roof through the tailgate, while appearing to erupt though the car’s rear flanks. The shape hints at the teardrop-like rear styling of the first Saab car, while the ‘sawn off’ and aerodynamically efficient kamm tail was inspired by Saab’s first coupé, the Sonett.
Inside the 2+2 cabin, simplicity and technology come to the fore. Fresh expression is given to Saab’s driver focused instrument layout; Saab’s innovative IQon infotainment and communications system is installed, and touch-screen functionality eliminates many visible buttons and controls.
The cabin design strategy adopts a minimalist, ‘stripped out’ feel, with slim competition-like seats and metalized interior sections that mimic the exposed network of a rollover cage. A red color theme for instrument illumination, seat decor and ambient lighting adds a feeling of warmth to the cabin – with echoes of the turbocharged fire that burns inside the PhoeniX.
Surprising versatility is revealed by a deep opening tailgate which gives access to a flat cargo deck, including fold-flat rear seatbacks. The floor is fitted with a cargo track for adaptable load carrying, as seen in the 9-5 range.

New Renault R-Space


Renault R-Space MPV Concept is introduced at 2011 Geneva Motor Show. This MPV concept brings the Dezir Concept with original interior design that takes inspirations from modern furniture style. The dimension of this MPV vehicle is 4.25 meters in length. The exterior design of this R-Space shows the flowing design with soft line and smooth surface. The exterior design is inspired by human body. The one box is coupled with dynamic rear design and front end section, whereas the profile is designed with tapered side windows. Below is the complete information about this car.
Official Press Release:
Modern Car Design, Renault R-Space
Exterior Design
“Renault R-Space Concept brings together qualities long considered opposed: family, functionality, sportiness and sensuality,” explains Axel Breun, Director of Design for Concept and Show Cars. “It answers the expectations of a large slice of our modern society.”
Modern Car Design, Renault R-Space-seats
The tapered profile of the side windows emphasizes the dynamic profile, while the large windscreen and panoramic roof – the thickness of which gradually changes – transform the passenger compartment into a cosy cocoon of shade.
The nose of Renault R-Space Concept adapts the new visual identity (centered on the large, vertically-oriented Renault lozenge) to the proportions of an MPV. The body panels are shaped as sculptured volumes, meaning that the eye is drawn much more to reflections and the play of the light than to the lines themselves.
The body design uses strong forms inspired by the human body. “With R-Space, it was the pent-up energy in tensed muscles that inspired me,” reveals Fabrice Pouille, exterior designer. “I wanted to make people feel the urge to caress the body, to make it sensuous – despite the fact that this is an MPV aimed at families.”
Renault’s strategic sequence of concept car designs brings with it a parallel progression in their colours: starting with the passionate red of DeZir, future concept cars will follow the sequence of the chromatic circle. Coming after the orange employed for Captur, Renault R-Space Concept is clad in honey-gold bodywork.
interior design
The theme being that of the family, it was the image of the family Sunday breakfast that provided the inspiration for Renault R-Space Concept’s colours and materials.
“The tenderness and warmth of these shared moments find their expression in tones that are hot and ‘sweet’: the white of the milk, the golden shades of the honey, the brown of the chocolate,” explains Laurence Widmer, Head of Colours and Materials on the R-Space concept car. The theme of softness and sweetness is also mirrored in the choice of materials – including suede – which are lush to look at and pleasing to the touch.
Interior designer Alexandre Gommier explains: “To reinterpret this idea in a modern context, we provided a strong visual and functional contrast between the driver environment, where the focus is on driving pleasure, and a surprising and highly-original rear section conceived as a play space for children.”
The scene comes to view as soon as you open the double doors which, unobstructed by any central pillar, give clear access to a spectacular interior designed to trigger strong emotions from the very first glance.
In terms of interior design, the family likeness to the DeZir concept car is clearly visible at the front in the forms of the dashboard and seats. The driver enjoys a cockpit-like environment, with a section of the seemingly floating dashboard being specifically dedicated to driving functions. The interlinking movement suggested by the shaping of the front seat backrests is a return to the idea of a couple in love.
At the rear, the world revolves around children. This is a play space, flexible and infinitely versatile, and formed from a simple and universal shape – the cube.
Twenty-seven miniature motors power an array of height-adjustable hexahedrons, allowing four settings to be programmed, from an all-flat surface, to a booster seat, a table or a random configuration (only when the vehicle is parked) for children’s games.
The cube is a consistent theme in furniture design but not something one expects to come across in the world of cars: in Renault R-Space Concept’s cabin, however, it is very much in evidence – to the extent of even forming the covering for the floor and door casings.


Volkswagen Bulli Concept Car


At the 2011 Geneva Motor Show, Volkswagen presented a new car variant entitled as Bulli Concept which is also called as Microbus’. This new microbus is designed with an electric powertrain and 6 passenger cabins. The exterior design of this Bulli variant is a blend between modern lines influenced by Design DNA. The original accent of Bulli is the two-tone paint theme and the front end design with special “V” shape. Below is complete description from the official press release:
The Design
Volkswagen Bulli Concept
The team led by Walter de Silva, Head of Volkswagen Group Design, and Klaus Bischoff, Head of Design of the Volkswagen brand, developed the “design DNA” for the modern era based on styling principles of the bestselling Beetle, Golf I and T1.
The new edition of the Bulli is 3.99 metres long, 1.75 metres wide and 1.70 metres tall. The T1 was somewhat longer and taller, but narrower.
Volkswagen Bulli Concept
With a wheelbase of 2.62 metres, the Bulli utilises the overall length very well. Also striking here are the Bulli’s relatively large track widths (1.50 m front and rear) in relation to body width.
Front end
Like the Samba bus before it, the Bulli being presented in Geneva also has two-tone paint – in this case white and red. The “V” on the bonnet, is kept white.
The hood does house the engine: instead of rear-wheel drive with a boxer engine, as on the Samba, the Bulli has an electric motor located forward of the front axle and front-wheel drive.
In keeping with the Volkswagen design DNA, there is a horizontal layout of the narrow dual headlights with L-shaped LED daytime running lights and turn indicators implemented as LEDs arranged in an inverted L shape at each outer corner.
Located between the headlights in the hood is, as always, the VW logo. On the level beneath, once again arranged in a horizontal line – are the air intakes for the passenger compartment and for battery cooling or for cooling the alternative conventional drives.
Finally, the bumper that is seamlessly integrated in the front end completes the design. Laterally, it exhibits a large round fog light on each side, another air intake in the middle, and a front spoiler in black below. This line matches the lines of the side sills.
Side profile
The Bulli’s two-tone paint also distinguishes the sides. Treated in white is the entire area above what is known as the character line. Originating in the wings is a white stripe that runs to the distinctive D-pillars; above them, the entire roof section is painted in this color.
The continuous line of windows creates an especially striking contrast between the white sections. Here the visually slender black pillars executed in the style of the 2001 Microbus concept are visually striking. Painted in red are the door mirror housings protruding from the line of windows.
Beneath the character line is the red body area. Design elements such as the distinctive wheel housings, the additional shape modulation in the door surfaces above the side sills and the headlights that wrap around to the sides with minimal seams are details that would not have been possible to manufacture in this form and precision on a T1. Concealed in the sandwiched floor behind the sills is the 1,450 kg Bulli’s lithium-ion battery.
The white door handles are practical, opening in the direction of pull. The 18-inch alloy wheels are especially attractive. At their centers are stylized chrome hubcaps – another tribute to the bus of years past. Shorter than ever are the overhangs at the front and rear.
Rear section: The Volkswagen design DNA with its horizontal lines also dominates the rear of the new Bulli. Viewed from the bottom upwards, above the body-colored bumper (including black, stylized diffuser) there is the tailgate that extends across the entire width of the vehicle.
In the tailgate, the narrow LED rear lights continue a theme from the Microbus concept of 2001. At the center, but smaller than at the front end: the VW symbol. When all six seating locations are fully occupied, there is a 370 litre bootspace behind the tailgate.
Interior Design
The passenger compartment is immersed in light during the day thanks to its panoramic sunroof.
Like the T1 in times past, thanks to its level floor the new Bulli is also equipped with a single bench seat in front. The van offers space for three in the rear as well.
A removable iPad in the centre console serves as a multifunctional touchscreen.
Along with Internet-based iPad applications and the media centre, it also handles control of such functions as Bluetooth hands-free telephone and a navigation system. Integrated right on the iPad mount are controls for the climate control system and the centrally located hazard warning switch.
Running laterally across the entire width is a line with air vents. In front of the driver, there is a speedometer in the shape of a semicircle.
A color multifunction display, also semi- circular in shape, can be used to view and control (via multifunctional keys in the steering wheel and on it) the navigation system, telephone, trip computer and media centre – the entire unit of speedometer and multifunction display also communicates with the iPad.
The key word here is sound: the system is produced by guitar and amplifier manufacturer Fender.
What is not found in the Bulli is a tachometer (unnecessary with an electric motor) or a conventional gear shift or gear selection lever (also unnecessary with an electric motor). The latter is replaced by a rotary switch to the right of the driver, which is used to activate forward and reverse gears. A pushbutton in the same switch is used to start and stop the motor. Another rotary switch to the left of the driver is used to control the lighting functions.
The outer and middle seat positions of the front bench seat can be folded down (2/3 split); the rear beach seat, meanwhile, can be completely stowed. When the rear bench seat is stowed, cargo capacity increases to 1,600 liters. In addition – and here the new Bulli is reminiscent of its legendary ancestor – the seat system can be transformed into a large reclining surface with just a few manual movements. This turns the compact MPV into a compact camper – the ultimate companion for a weekend trip.
At least as important for many users, however, is that the seating system should not only be versatile but also offer maximum comfort.
The seat position is comfortably high and is equally relaxing. As an added benefit, it offers an optimized view forward as well, just like in the T1.
Contributing to peace of mind aboard today’s vehicle is the fact that the new era Bulli is equipped with all conceivable safety features. And that is the crucial difference: the car has essentially been reinvented since the days of the first T1 aka the Bulli aka the Microbus.
At the 2011 Geneva Motor Show, Volkswagen presented a new car variant entitled as Bulli Concept which is also called as Microbus’. This new microbus is designed with an electric powertrain and 6 passenger cabins. The exterior design of this Bulli variant is a blend between modern lines influenced by Design DNA. The original accent of Bulli is the two-tone paint theme and the front end design with special “V” shape. Below is complete description from the official press release:
The Design
The team led by Walter de Silva, Head of Volkswagen Group Design, and Klaus Bischoff, Head of Design of the Volkswagen brand, developed the “design DNA” for the modern era based on styling principles of the bestselling Beetle, Golf I and T1.
The new edition of the Bulli is 3.99 metres long, 1.75 metres wide and 1.70 metres tall. The T1 was somewhat longer and taller, but narrower.
With a wheelbase of 2.62 metres, the Bulli utilises the overall length very well. Also striking here are the Bulli’s relatively large track widths (1.50 m front and rear) in relation to body width.
Front end
Like the Samba bus before it, the Bulli being presented in Geneva also has two-tone paint – in this case white and red. The “V” on the bonnet, is kept white.
The hood does house the engine: instead of rear-wheel drive with a boxer engine, as on the Samba, the Bulli has an electric motor located forward of the front axle and front-wheel drive.
In keeping with the Volkswagen design DNA, there is a horizontal layout of the narrow dual headlights with L-shaped LED daytime running lights and turn indicators implemented as LEDs arranged in an inverted L shape at each outer corner.
Located between the headlights in the hood is, as always, the VW logo. On the level beneath, once again arranged in a horizontal line – are the air intakes for the passenger compartment and for battery cooling or for cooling the alternative conventional drives.
Finally, the bumper that is seamlessly integrated in the front end completes the design. Laterally, it exhibits a large round fog light on each side, another air intake in the middle, and a front spoiler in black below. This line matches the lines of the side sills.
Side profile
The Bulli’s two-tone paint also distinguishes the sides. Treated in white is the entire area above what is known as the character line. Originating in the wings is a white stripe that runs to the distinctive D-pillars; above them, the entire roof section is painted in this color.
The continuous line of windows creates an especially striking contrast between the white sections. Here the visually slender black pillars executed in the style of the 2001 Microbus concept are visually striking. Painted in red are the door mirror housings protruding from the line of windows.
Beneath the character line is the red body area. Design elements such as the distinctive wheel housings, the additional shape modulation in the door surfaces above the side sills and the headlights that wrap around to the sides with minimal seams are details that would not have been possible to manufacture in this form and precision on a T1. Concealed in the sandwiched floor behind the sills is the 1,450 kg Bulli’s lithium-ion battery.
The white door handles are practical, opening in the direction of pull. The 18-inch alloy wheels are especially attractive. At their centers are stylized chrome hubcaps – another tribute to the bus of years past. Shorter than ever are the overhangs at the front and rear.
Rear section: The Volkswagen design DNA with its horizontal lines also dominates the rear of the new Bulli. Viewed from the bottom upwards, above the body-colored bumper (including black, stylized diffuser) there is the tailgate that extends across the entire width of the vehicle.
In the tailgate, the narrow LED rear lights continue a theme from the Microbus concept of 2001. At the center, but smaller than at the front end: the VW symbol. When all six seating locations are fully occupied, there is a 370 litre bootspace behind the tailgate.
Interior Design
The passenger compartment is immersed in light during the day thanks to its panoramic sunroof.
Like the T1 in times past, thanks to its level floor the new Bulli is also equipped with a single bench seat in front. The van offers space for three in the rear as well.
A removable iPad in the centre console serves as a multifunctional touchscreen.
Along with Internet-based iPad applications and the media centre, it also handles control of such functions as Bluetooth hands-free telephone and a navigation system. Integrated right on the iPad mount are controls for the climate control system and the centrally located hazard warning switch.
Running laterally across the entire width is a line with air vents. In front of the driver, there is a speedometer in the shape of a semicircle.
A color multifunction display, also semi- circular in shape, can be used to view and control (via multifunctional keys in the steering wheel and on it) the navigation system, telephone, trip computer and media centre – the entire unit of speedometer and multifunction display also communicates with the iPad.
The key word here is sound: the system is produced by guitar and amplifier manufacturer Fender.
What is not found in the Bulli is a tachometer (unnecessary with an electric motor) or a conventional gear shift or gear selection lever (also unnecessary with an electric motor). The latter is replaced by a rotary switch to the right of the driver, which is used to activate forward and reverse gears. A pushbutton in the same switch is used to start and stop the motor. Another rotary switch to the left of the driver is used to control the lighting functions.
The outer and middle seat positions of the front bench seat can be folded down (2/3 split); the rear beach seat, meanwhile, can be completely stowed. When the rear bench seat is stowed, cargo capacity increases to 1,600 liters. In addition – and here the new Bulli is reminiscent of its legendary ancestor – the seat system can be transformed into a large reclining surface with just a few manual movements. This turns the compact MPV into a compact camper – the ultimate companion for a weekend trip.
At least as important for many users, however, is that the seating system should not only be versatile but also offer maximum comfort.
The seat position is comfortably high and is equally relaxing. As an added benefit, it offers an optimized view forward as well, just like in the T1.
Contributing to peace of mind aboard today’s vehicle is the fact that the new era Bulli is equipped with all conceivable safety features. And that is the crucial difference: the car has essentially been reinvented since the days of the first T1 aka the Bulli aka the Microbus.